Blerta Kambo is an Albanian artist, activist, photographer and film maker based in Tirana.
Her personal projects follow a conceptual approach, hinged around themes of social and environmental justice, archive, fiction/multiple truths, ecofeminism, and architecture embedded in space, expressing the underlying narrative in their social contexts. Her 16-year commercial experience as a photographer includes documentary, architecture and politics (as photographer for Albanian Prime Minister Edi Rama) also advertising, corporate and fashion. In 2019 she studied filmmaking at the London Film School (UK) and is currently working more with the moving image, both in documentary/ narrative -fiction and video art.
In 2023 she was a finalist for the Circa Prize, London, UK with her performance-video “Heavy stone”. Her latest project ‘Man of the castle’, a contemporary allegory of gender justice, of feminism in defence of men, was exhibited twice in Tirana, to positive reviews. She is a Member of AWA (Albanian women in audio-visual) and the Feminist Collective (Albania)
She is a 2024 LINA fellow with the Kosovo Architecture Foundation. Her object of visual research and artistic intervention is the ‘Palace of Youth’ in Prishtina.
Her lecture will be held Friday July 5th from 18.45 at Kino Armata.
Tinatin Gurgenitdze lives and works between Berlin and Tbilisi. Trained as an architect and urban designer, Tinatin is involved in research and curatorial work regarding critical urban issues. Tinatin is one of the founders of the Tbilisi Architecture Biennial and was the curator of the Georgian pavilion at the Venice Architecture Biennale in 2021. Tinatin is also an author of several publications and articles in journals as “Architectural review” and “Failed Architecture”.
Her lecture will be held at Kino Armata on 3rd of July 2024 from 19.15
Ana Dana Beros is an architect with a ‘critical spatial practice’ that encompasses artistic research, documentary filmmaking, curating, publishing/broadcasting, and exhibition design. She is based between Zagreb, Graz and Trieste.
Co-founder of ARCHIsquad – Division for Architecture with Conscience and its educational program UrgentArchitecture in Croatia (2006-2015). Her interest in architectural theory, experimental design, and publishing as a spatializing practice led her to co-found the international platforms Think Space (2010-2015) and Future Architecture (2016-2021), and she is currently involved with LINA (2022-2025). As a LINA member, she curates DAI-SAI projects From Care to Cure and Back and Architecture of Cure, which investigate the critical architectural heritage of The Children’s Maritime Health Resort of Military Insured Persons in Krvavica. These projects aim to transform both material and immaterial environments from “spaces of common disease” into places of “common healing.”
Her lecture will be held at Kino Armata on Wendnesday 3rd of July 2024 from 18.45.
Amin Taha was born in Berlin and is settled in London, after graduating from the University of Edinburgh he worked in the offices of Zaha Hadid before setting up in private practice. He is chairperson at GROUPWORK, teaches architecture at the Royal College of Art, GSD_Harvard and its cross over into engineering at University College London. He is also a trustee at the Sir John Soane Museum and chair of the annual Soane Medal jury.
GROUPWORK
GROUPWORK is an employee ownership trust of architects in which all are partners sharing responsibilities and income. This ethical foundation is followed through the work by understanding and apply structural, embodied carbon as well as lyrical properties of materials and broader social possibilities in architectural programs. Completed buildings going onto be three times selected and short-listed for the RIBA Stirling Prize and characterized by Rowan Moore, The Guardian and Observer architecture correspondent as “poetry through material assembly”.
Amin’s lecture will be held at Kino Armata on Wednesday 3rd of July 2024 from 20.00.
Cristina Steingräber, a historian of art and architecture based in Berlin, is the cofounder and CEO of ArchiTangle, an independent publisher and digital tech start-up dedicated to socially engaged architectural practice and urbanism. Her academic and professional efforts focus on interdisciplinary knowledge transfer on how architecture can engage with other disciplines in shaping the built environment.
Initially a curator at the National Gallery in Berlin (Nationalgalerie), Staatliche Museen zu Berlin (SMB), Steingräber was appointed head of the SMB’s publications department in 2004. Thereafter, Steingräber spent more than a decade as program director and CEO of Hatje Cantz, a leading global publisher in the visual arts, photography, and architecture (2006–17). She possesses deep industry expertise, and as an expert in architecture history, bookmaking, and a technology enthusiast, Steingräber, with her firm, is introducing the integration of traditional print and cutting-edge technology through blockchain-based digital book extensions, adding a new dimension to knowledge transfer in the field. She holds a PhD in art and architectural history from Kiel University (CAU) alongside an MBA in Economics, focusing on innovation and digital transformation, from the prestigious TUM School of Management at the Technical University of Munich (TUM). In 2023, Steingräber established a foundation. The aim of the ArchiTangle Foundation is to improve living conditions globally through digital knowledge transfer in the built environment. The Foundation supports projects in the fields of architecture, urbanism, housing, and human rights. It carries out its own projects and supports charitable initiatives by other organizations. Steingräber is frequently engaged as an invited lecturer, critic, and jury member in the fields of art, architecture and business development.
ArchiTangle is an independent book publisher and tech start-up. By combining traditional print books with innovative digital formats, ArchiTangle aims to disseminate and preserve architectural knowledge, ensuring its accessibility for future generations.
The core of ArchiTangle’s program focuses on publishing books that highlight architectural projects with substantial social impact, thus upholding cultural and ethical values in architecture. These publications explore how architecture can address pressing issues—such as urban and rural development, social justice, community engagement, and responsible building practices—and shape the built environment. By partnering with renowned institutions, architects, and artists, ArchiTangle produces publications that showcase innovative design while provoking thoughtful discourse on the role of architecture in society.
A key feature of ArchiTangle’s offerings is the deep-tech innovation Book+, which provides additional digital content to complement traditional print publications. The content is stored using cutting-edge blockchain technology. This exceptional approach ensures that information remains tamper-proof and accessible for generations to come, adding a new dimension to architectural publishing. Book+ enriches the readers’ understanding of the context, scope, and significance of the featured projects, providing ongoing insights and preserving the integrity of the data like never before.
ArchiTangle’s commitment extends beyond the physical book, offering comprehensive publishing services that manage the entire process—from consulting, research, and content creation to graphic design, editing, and production. The goal is to make architectural publications cultural assets by maintaining the highest standards of quality in content and by focusing on sustainable material selection.
from the 1st till the 4th of July 2024, one of the most esteemed personalities in the world of Modern Architecture preservation, Mrs. Sheridan Burke will be holding several keynotes as part of the Keeping It Modern – New Perspectives for Modern Heritage in the SEE region, culminating with a keynote at the Kosovo Architecture Festival on the 4th of July at Kino Armata starting from 18:30.
Sheridan is a heritage consultant, based in Sydney, Australia, trained in planning and architecture. She has worked for government, corporates and NGOs in cultural heritage management for more than 35 years, building extensive experience in developing practical, strategic outcomes for the future of heritage places- from the Eames House in Los Angeles to the Abraj Al Kuwait water towers in Kuwait.
Twentieth Century heritage advocacy is her specialist field of interest, publishing widely and contributing to the development and delivery of the ICOMOS international Heritage Alerts program and the Keeping It Modern program for the Getty Conservation Institute since 2014. She is currently an adviser and instructor for the GCI’s Modern Architecture Conservation course, first offered in 2023.
Sheridan is a founding president of the ICOMOS International Scientific Committee on Twentieth Century Heritage; and has served in many executive roles on the ICOMOS international Board, currently as its Advisory Committee Vice President. As a cultural heritage advisor for ICOMOS she has undertaken UNESCO World Heritage missions in Africa, Asia and the Americas.
Sheridan is an appointed expert member of several NSW Planning Panels and a former chair of the State Heritage Register Committee and deputy chair of the NSW Heritage Council. She is currently chair of the Eryldene Trust in Sydney, managing an historic house and garden through climate change challenges.
Sheridan has been a member of the Sydney Opera House Conservation Council for 16 years and also sits on its Design Advisory Panel, engaging with major projects from redrafting the site Conservation Plan to the recent capital works projects of the SOH’s Decade of Renewal -improving access to all public areas of the House , refurbishing the opera and concert halls, establishing the Centre for Creativity and integrating new venue, food and beverage opportunities as well as the recent update of the site’s Strategic Building Plan and development of its Heritage Action Plan.
Starting from the 1st till the 4th of July, in conjunction with the 12th edition of the Kosovo Architecture Festival, KAF is organizing the “Keeping It Modern” seminar.
With the participation of more than 40 experts and advocates in the field of Modern Architecture from around the globe this seminar is one of the biggest seminars on modern architecture ever organized in the SEE region and beyond.
The Seminar will feature 10 keynotes by project managers of Conservation Management Plans that have received the Getty Foundation’s “Keeping It Modern” prestigious grant. The seminar will feature keynotes by world renowned experts such as Sheridan Burke, chairman of ICOMOS 20th century heritage preservation committee, Cesar Bargues Ballester of the Getty Conservation Institute, Aziza Chaouni, professor at Daniels UofT and a TED Fellow, Javier Ors Ausin, head of Modern Preservation at the World Monuments Fund, and many other.
The presented CMP will feature some of the most iconic and recognizable architecture works in the world such as the Sidney Opera House, The Eames House, The Buzludzha Monument, as well as the Kosovo National Museum.
The 4 day long seminar will also feature a tour of modern Skopje under the guidence of Ana Ivanovska Deskova, Vladimir Deskov and Jovan Ivanovski.
The overall aim of the Seminar is to shad light on the work done in the SEE region in the field of modern architecture preservation as well as learn from successful CMP’s implemented from around the world.
The public lectures and discussions will be open to the general public and will be held in the premises of the Kosovo National Library and Kino Armata in Prishtina.
This event is supported by the Getty Foundation through its “Keeping It Modern” initiative.
EN
This one-week workshop during the 2024 Kosovo Architecture Festival will investigate how to
re-invigorate an overgrown green space into an inviting and inspiring public garden. The site is located in the neighborhood of Taslixhe, surrounding the Children’s Library and the former home of Hivzi Sulejmani – currently housing Rezidenca 17.
During the workshop we will study how to create public space where visitors of all ages can get closer to nature. Over the course of five days we will learn about the site, collect references, catalogue inspirations, and workshop with locals. The goal will be to prepare a proposal for the transformation of the garden. It should become a place designed to explore, educate, and inspire, while emphasizing sustainability and looking after the natural environment.
Firstly, we will get to know the site by assessing its current state and discuss its potentials and issues. We will then familiarize ourselves with a few other successful local gardens throughout the city during a short tour. Armed with local knowledge we will then zoom out and search for inspiration by collecting references and ideas through desk research. This research will serve as the basis for a short participatory workshop with locals and children. Once the final wish list for the garden is established we will hold a design charette to create a proposal for the garden. The final products of the workshop can consist of visuals (plans/impressions), models and a booklet documenting the process.
Requirements for participation are enthusiasm about the city, the built environment and green spaces. Students and recent graduates from the fields of architecture, landscape architecture, urban design, horticulture as well as art, biology, ecology, botany, sociology, or philosophy, are encouraged to apply. Participants are expected to actively contribute to the workshop for its whole duration. Materials needed are a laptop, tracing paper and pencils. Please feel free to bring any other tool you feel comfortable working with.
The workshop will be led by Dutch studio LMNL office [for architecture and landscape].
AL
Kjo puntori njëjavore gjatë Festivalit të Arkitekturës në Kosovë 2024 do të hulumtojë mënyrat se si një hapësirë e gjelbër e lënë pas dore dhe e mbingarkuar me bimësi mund të riaktivizohet në një kopsht publik mikpritës dhe frymëzues. Lokacioni ndodhet në lagjen Taslixhe, përreth Bibliotekës së Fëmijëve dhe ish-shtëpisë së Hivzi Sulejmanit – e cila aktualisht strehon Rezidenca 17.
Gjatë puntorisë do të studiojmë se si të krijojmë një hapësirë publike ku vizitorët e të gjitha moshave mund të afrohen më shumë me natyrën. Përgjatë pesë ditëve do të mësojmë rreth lokacionit, do të mbledhim referenca, do të katalogojmë frymëzime dhe do të bashkëpunojmë me banorët lokalë. Qëllimi do të jetë përgatitja e një propozimi për transformimin e kopshtit. Ai duhet të shndërrohet në një vend të dizajnuar për eksplorim, edukim dhe frymëzim, duke theksuar qëndrueshmërinë dhe kujdesin ndaj mjedisit natyror.
Fillimisht do të njihemi me lokacionin duke vlerësuar gjendjen e tij aktuale dhe duke diskutuar potencialet dhe problematikat. Më pas do të njihemi me disa kopshte të tjera të suksesshme lokale në qytet përmes një vizite të shkurtër. Të pajisur me njohuri lokale, do të zgjerojmë perspektivën dhe do të kërkojmë frymëzim përmes hulumtimit në tavolinë (desk research), duke mbledhur referenca dhe ide. Ky hulumtim do të shërbejë si bazë për një puntori të shkurtër pjesëmarrëse me banorët dhe fëmijët. Pasi të përcaktohet lista përfundimtare e dëshirave për kopshtin, do të organizojmë një charette dizajni për të hartuar propozimin përfundimtar. Produktet finale të puntorisë mund të përfshijnë vizualizime (plane/përshtypje), makete dhe një broshurë që dokumenton procesin.
Kërkesat për pjesëmarrje janë entuziazmi për qytetin, mjedisin e ndërtuar dhe hapësirat e gjelbra. Studentët dhe të sapodiplomuarit nga fushat e arkitekturës, arkitekturës së peizazhit, dizajnit urban, hortikulturës, si dhe nga arti, biologjia, ekologjia, botanika, sociologjia apo filozofia, inkurajohen të aplikojnë. Pjesëmarrësit pritet të kontribuojnë në mënyrë aktive gjatë gjithë kohëzgjatjes së puntorisë. Materialet e nevojshme janë një laptop, letër kalk (tracing paper) dhe lapsa. Mund të sillni gjithashtu çdo mjet tjetër me të cilin ndiheni rehat të punoni.
Puntoria do të udhëhiqet nga studio holandeze LMNL office [for architecture and landscape].
EN/
E+D are Ena Kukić and Dinko Jelečević, whose work in architecture explores existing spatial fragments of collective memory and creates new ones. They consider projects holistically, incorporating the existing context, historical backdrop, and the needs of the local community, with a primary focus on revitalizing and adapting typologies for collective use. Their accolades include the prestigious EU Mies Young Talent Award, finalist recognition at the Archiprix Biennale, two National Collegium Artisticum awards, and numerous prizes in public competitions.
Ena Kukić is an architectural designer and researcher based in Graz, Austria. She lectures at the Institute of Construction and Design Principles at Graz University of Technology, where she teaches design studios and model making. In her design studios, she focuses on typologies of exhibition and education, and her model-making course has centered on Yugoslav monuments over three consecutive years, investigating the architectural language of commemoration in a modernist context. Ena’s research, as a Ph.D. candidate at the Institute of Design and Building Typology at the same university, revolves around engaging with the spatial framework of collective memory, exploring the creation, transmission, and reflection of narratives juxtaposed with architectural backdrops. Born in 1990 in Sarajevo, Ena studied architecture in her hometown as well as in Barcelona and Graz, concentrating on architectural typologies and their contribution to the intergenerational transmission of memory. Her Master’s Thesis in memorial architecture (War Tunnel Museum in Sarajevo) won the 2018 Austrian GAD Award, and she was selected as a finalist at the Archiprix International Biennale 2019. She actively participates in public discourse on the interconnection of architecture and politics, frequently publishing articles and taking part in scientific events, most recently at Princeton University during the conference on Svetlana Kana Radević.
Dinko Jelečević is an architectural designer also based in Graz, Austria. He works as an architect in an office, currently developing a project for the liminal space of the city. Additionally, within his private practice, he has been creating architectural visualizations of unbuilt spaces for numerous international offices for the past five years. Born in 1990 in Zvornik, Bosnia and Herzegovina, Dinko studied architecture in Sarajevo, Barcelona, and Graz, simultaneously working as a freelance visual artist. His Master’s Thesis at Graz University of Technology (Vraca Forum in Sarajevo) won the 2023 EU Mies Young Talent Award, showcasing his interest in an adaptive reuse approach to existing structures.
Ena and Dinko have developed several design proposals for the revitalization of industrial heritage in Bosnia and Herzegovina, winning the renowned national Collegium Artisticum Award for Best Newcomers in 2018 and Best Concept Design in 2019. The most significant project was the Center for Contemporary Culture KRAK in the northwest Bosnian town of Bihać, where a workers’ club from the Yugoslav era was transformed into a cultural hub, serving as an art hotspot in the Balkans. Other notable proposals include a memorial park in Sarajevo, the adaptive reuse of a water tower in Bihać, and a community center in Kirchbach.
Apart from design projects, they also engage in research, primarily focusing on specific places and objects throughout the Balkans. Important research projects include K67 Kiosks, the Alipašino Polje housing block in Sarajevo, and Yugoslav monuments.
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E+D janë Ena Kukić dhe Dinko Jelečević, puna e të cilëve në arkitekturë eksploron fragmente ekzistuese hapësinore të kujtesës kolektive dhe krijon të reja. Ata i qasen projekteve në mënyrë holistike, duke përfshirë kontekstin ekzistues, sfondin historik dhe nevojat e komunitetit lokal, me fokus kryesor në rivitalizimin dhe adaptimin e tipologjive për përdorim kolektiv. Ndër vlerësimet e tyre përfshihen çmimi prestigjioz EU Mies Young Talent Award, përzgjedhja si finalistë në Archiprix Biennale, dy çmime kombëtare Collegium Artisticum, si dhe shumë çmime në konkurse publike.
Ena Kukić është arkitekte dhe hulumtuese me bazë në Graz, Austri. Ajo ligjëron në Institutin e Ndërtimit dhe Parimeve të Dizajnit në Universitetin Teknik të Graz-it, ku udhëheq studio dizajni dhe kurse të punimit të maketeve. Në studiot e saj të dizajnit fokusohet në tipologjitë e ekspozimit dhe edukimit, ndërsa kursi i maketimit për tre vite radhazi është përqendruar në monumentet jugosllave, duke hulumtuar gjuhën arkitektonike të përkujtimit në kontekstin modernist. Hulumtimi i Enës, si kandidate për doktoraturë në Institutin e Dizajnit dhe Tipologjisë së Ndërtimit në të njëjtin universitet, sillet rreth angazhimit me kornizën hapësinore të kujtesës kolektive, duke eksploruar krijimin, transmetimin dhe reflektimin e narrativave në raport me sfondet arkitektonike. E lindur në vitin 1990 në Sarajevë, Ena studioi arkitekturë në qytetin e saj të lindjes, si dhe në Barcelonë dhe Graz, duke u përqendruar në tipologjitë arkitektonike dhe kontributin e tyre në transmetimin ndërbrezor të kujtesës. Tema e saj e diplomës master në arkitekturën memoriale (Muzeu i Tunelit të Luftës në Sarajevë) fitoi Çmimin Austriak GAD 2018, ndërsa ajo u përzgjodh finaliste në Archiprix International Biennale 2019. Ajo merr pjesë aktive në diskursin publik mbi ndërlidhjen e arkitekturës dhe politikës, duke publikuar shpesh artikuj dhe duke marrë pjesë në aktivitete shkencore, së fundmi në Universitetin Princeton gjatë konferencës mbi Svetlana Kana Radević.
Dinko Jelečević është arkitekt me bazë gjithashtu në Graz, Austri. Ai punon si arkitekt në një zyrë, aktualisht duke zhvilluar një projekt që trajton hapësirat liminale të qytetit. Përveç kësaj, në praktikën e tij private, për pesë vitet e fundit ka krijuar vizualizime arkitektonike të hapësirave të papërfunduara për shumë zyra ndërkombëtare. I lindur në vitin 1990 në Zvornik, Bosnje dhe Hercegovinë, Dinko studioi arkitekturë në Sarajevë, Barcelonë dhe Graz, paralelisht duke punuar si artist vizual i pavarur. Tema e tij e diplomës master në Universitetin Teknik të Graz-it (Vraca Forum në Sarajevë) fitoi EU Mies Young Talent Award 2023, duke dëshmuar interesin e tij për qasjen e ripërdorimit adaptiv të strukturave ekzistuese.
Ena dhe Dinko kanë zhvilluar disa propozime dizajni për rivitalizimin e trashëgimisë industriale në Bosnje dhe Hercegovinë, duke fituar çmimin e njohur kombëtar Collegium Artisticum për “Debutuesit më të mirë” në vitin 2018 dhe për “Konceptin më të mirë të dizajnit” në vitin 2019. Projekti më i rëndësishëm ishte Qendra për Kulturë Bashkëkohore KRAK në qytetin veriperëndimor boshnjak të Bihać-it, ku një klub punëtorësh i periudhës jugosllave u transformua në një qendër kulturore, duke shërbyer si pikë e rëndësishme arti në Ballkan. Propozime të tjera të rëndësishme përfshijnë një park memorial në Sarajevë, ripërdorimin adaptiv të një kulle uji në Bihać, si dhe një qendër komunitare në Kirchbach.
Përveç projekteve të dizajnit, ata angazhohen edhe në hulumtim, duke u fokusuar kryesisht në vende dhe objekte specifike në të gjithë Ballkanin. Projekte të rëndësishme kërkimore përfshijnë kioskat K67, bllokun e banimit Alipašino Polje në Sarajevë, si dhe monumentet jugosllave.
EN/
Picture with a quote “If memory could be canned, would they also have expiration dates.” –
Picture credits (write on the side vertically): Chungking Express (1994), Wong Kar-wai
Picture subtitle (under the picture): *memoryscape: a spatial container of collective memory
Join us for a workshop on the significance of spatial remembrance, where we will add a new architectural layer to selected modernist buildings in Prishtina. The workshop aims to preserve and highlight these buildings’ identities, viewing them not as artefacts of the past, but as dynamic repositories of collective memory continually enriched by new experiences.
The four-day research and design workshop focuses on small-scale adaptive reuse. We will begin with an exploration of selected modernist buildings, followed by developing proposals for spatial interventions to highlight and revitalize these structures.
Workshop Structure:
1. Research Phase:
– Discussing and analyzing each building collectively, individually, in-situ, and remotely.
– Delving into their history, significance, function, and atmosphere.
– Producing mixed-media collages that serve as IDs for our case studies.
2. Design Phase:
– Introducing methodologies and approaches for dealing with architectural heritage.
– Developing design proposals based on these methodologies.
– Displaying all projects through exhibition posters combined with the collages from the research phase.
Start: Evening of Tuesday, 2nd July · End: Afternoon of Friday, 5th July
Required Equipment:
– Sketchbook
– Camera (phone cameras are ok)
– At least one laptop per group
Participants will work in groups of 2 or 3 people, with a maximum of six groups.
Registration:
– Interested participants must register by 25th June 2024 by sending an email with a small portfolio or cv to workshops.kaf@gmail.com
– Applications can be submitted as a group or individually (in that case please specify if you need to be paired with others or if you already have a partner).
– Selected participants will be notified by 28th June 2024.
“Everything not saved will be lost.” – Nintendo Quit Screen
AL/
Foto me një citat “Nëse kujtesa mund të konservohet, a do të kishin edhe ato data skadimi.” –
Kreditë e figurës (shkruani në anën vertikalisht): Chungking Express (1994), Wong Kar-wai
Nëntitulli i figurës (nën figurë): *memoryscape: a spatial container of collective memory
Bashkohuni me ne për një punëtori mbi rëndësinë e kujtesës hapësinore, ku do t’i shtojmë një shtresë të re arkitekturore ndërtesave të zgjedhura moderniste në Prishtinë. Punëtoria synon të ruajë dhe të nxjerrë në pah identitetet e këtyre ndërtesave, duke i parë ato jo si artefakte të së shkuarës, por si depo dinamike të kujtesës kolektive të pasuruara vazhdimisht me përvoja të reja.
Punëtoria katërditore e kërkimit dhe dizajnit fokusohet në ripërdorimin adaptiv në shkallë të vogël. Ne do të fillojmë me një eksplorim të ndërtesave të përzgjedhura moderniste, e ndjekur nga zhvillimi i propozimeve për ndërhyrje hapësinore për ti nxjerrë në pah dhe rigjallëruar këto struktura.
Struktura e puntorisë:
1. Faza e kërkimit:
– Diskutimi dhe analizimi i çdo ndërtese kolektivisht, individualisht, in-situ dhe nga distanca.
– Thellimi në historinë, rëndësinë, funksionin dhe atmosferën e tyre.
– Prodhimi i kolazheve me media të përziera që shërbejnë si ID për studimet tona të rasteve.
2. Faza e projektimit:
– Prezantimi i metodologjive dhe qasjeve për trajtimin e trashëgimisë arkitekturore.
– Zhvillimi i propozimeve të projektimit bazuar në këto metodologji.
– Shfaqja e të gjitha projekteve përmes posterave të ekspozitës të kombinuara me kolazhet nga faza e kërkimit.
Fillimi: Mbrëmja e së martës, 2 korrik · Përfundimi: pasditja e së premtes, 5 korrik
Pajisjet e nevojshme:
– Libër skicash
– Kamera (kamerat e telefonit janë në rregull)
– Të paktën një laptop për grup
Pjesëmarrësit do të punojnë në grupe me 2 ose 3 persona, me një maksimum prej gjashtë grupesh.
Regjistrimi:
– Pjesëmarrësit e interesuar duhet të regjistrohen deri më 25 qershor 2024 duke dërguar një email me një portofol të shkurtër (e preferuar) ose cv në workshops.kaf@gmail.com
– Aplikimet mund të dorëzohen në grup ose individualisht (në këtë rast ju lutemi specifikoni nëse doni të jeni në grup të njëjt me dikend tjetër).
– Pjesëmarrësit e përzgjedhur do të njoftohen deri më 28 qershor 2024.
“Everything not saved will be lost.” – Nintendo Quit Screen
